View our Daedalus collection at new cafe 'Stir'

Next Monday Stir, a new cafe on the corner of Chesterton Road and Hawthorn Way, Cambridge, will be exhibiting some of our prints from the Daedalus Print Club collection. Details of how to join the club can be found on our website. Do bring friends along who might be interested in joining our affordable collectors club... and of course anyone who likes good coffee in the presence of good art.

Carol Robertson in the studio

This week we have been working with the wonderful Carol Robertson, using a multitude of colours to make her hypnotic circular prints. 

Carol has two paintings in the RA summer show that we will be going to see on Friday. We can’t wait to see them.

If you go, look out for Mali Morris’ Toussaint and Crossings and Stephen Chamber’s Journey without Maps East and West, all screen prints made here with us.

Penfold making prints

Mr Penfold has been in the studio make 4 editions based on his cigarette motif spray paintings. Tim worked at the print studio for 7 years but now lives and works in Bristol. His work has been shown recently at the Graffiti Life Gallery in London, No Walls Gallery in Brighton and he will be showing at a new gallery in Denver in the fall. You can buy his work here: . 

It’s good to have him back, if only for a few days.

Kip in Belfast

This week Kip has been at The University of Ulster as an artist in residence during the Festival of Art & Design.

Working with staff members Bill Penney and Janet Preston he has made two Drypoints , Singularity 1 and Singularity 2 also a triptych screenprint, Solvach.

He gave a talk on collaboration on Thursday.

Exhibition Opening: Wednesday 11th February, 6.00 - 8:30 pm

Exhibition Run: 12th February - 28th March

Maddox Arts is delighted to announce the opening of Willard Boepple’s The Sense of Things, an exhibition uniting a broad selection of work by the celebrated, New York-based artist. By placing recent work alongside that of historical pieces the exhibition traces the artist’s trajectory over several decades, following the ebb and flow of his attentions and hopes to present a rounded picture of a career dedicated to the formation of an intuitive, visual language all of his own.

At a first glance the viewer may be challenged to find commonality amongst the different modes and styles utilized by the artist but as Karen Wilkin observes in a recent monograph of the artist’s work published by Lund Humphries:

“The connection between thing and person— proves to be the conceptual thread that links this apparently omnivorous artist’s sources. What all of Boepple’s diverse stimuli have in common is that they are things used, manipulated, or inhabited in some way by human beings” 

So we see it is a preoccupation with the anatomy of everyday objects that distinguishes the artist’s oeuvre. By recasting the form of such objects we are invited to reappraise their purpose and glimpse a beauty beyond their common functionality. The utilization of the materials and production methods more commonly associated with industry and design further reinforces our sense of ambiguity towards these objects, as the familiar is recast with a sense of mystery. As the artist himself remarks of his relationship with his artistic forbears:

“Abstract sculpture removed itself from the figure via the Minimalists…It was such an extreme step. By getting back to what the body uses, I can deal with the world we build around us— things like tables and chairs that are part of our visual vocabulary.”

Together the exhibition offers a portrait of an artist, who has consistently found harmony in his surroundings, and who’s work offers us a vision of a world of sentient things who’s real value far outstrips their worldly necessity.

Willard Boepple was born in Bennington, Vermont in 1945, and grew up in Berkeley, California. He studied at the Skowhegan School of Painting and Sculpture (1963), the University of California at Berkeley (1963-64), RISD (1967) and CUNY City College (1968). After teaching at Bennington College and the School of the Museum of Fine Arts in Boston, he returned to New York, where he has lived for over thirty years. He has exhibited widely here and abroad, at galleries including Acquavella, André Emmerich, Tricia Collins and Broadbent Gallery, London. His work belongs to such noted institutions as the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Storm King Art Center and The Fitz William Museum in Cambridge, UK. Boepple served as chairman of the Triangle Artists’ Workshop for twenty years, an artist residency program that he helped replicate in Africa and the Caribbean.

The exhibition will coincide with the release of The Sense of Things by Karen Wilkin publsihed by Lund Humpries with a forward by Michael Fried, copies of which will be available from the gallery.

52 Brook’s Mews. Mayfair, W1K 4ED T: 02074953101 E:

For more work by Willard Boepple please go to

Mali Morris A new edition, Bridge, is just completed. A 10 colour screenprint. For more details check the website or Printed Editions.